Final Cut Pro 4/5
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Final Cut Pro

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By Apple (Apple Inc.)

Redesigned from the ground up, Final Cut Pro combines revolutionary video editing with powerful media organization and incredible performance to let you create at the speed of thought.

Revolutionary Video Editing
• The Magnetic Timeline 2 with color coding and flexible lanes is faster and easier to use than traditional tracks
• Enhanced Timeline Index lets you drag and drop audio roles to rearrange the layout of your timeline
• Use Clip Connections to attach B-roll, sound effects, and music to the timeline
• Reduce clutter by grouping clips into a Compound Clip
• Cycle through different shots, graphics, or effects at one place in the timeline with Auditions
• Edit multicamera projects with automatic syncing based on audio waveforms and support for up to 64 camera angles

Powerful Media Organization
• Organize your work within libraries for efficient media management and collaboration
• Content Auto-Analysis captures camera metadata and analyzes shots in the background
• Create and apply custom keywords or favorites on the fly as you select clip ranges
• Smart Collections dynamically organize content for you to quickly find any shot in a few clicks

Incredible Performance
• Final Cut Pro uses all the GPUs in your Mac for superior real-time playback performance and fast background rendering
• 64-bit architecture uses all the RAM in your system for larger projects and richer effects
• Background processing lets you keep working without interruption
• Work natively with a broad range of formats including ProRes, RED, XAVC, AVCHD, H.264 from DSLRs, and more

Compelling, Customizable Effects
• Beautifully animated, easily customizable 2D and 3D titles
• Change the look of titles, transitions, and effects using intuitive controls
• Choose from an extensive ecosystem of third-party FxPlug plug-ins with custom interfaces

Integrated Audio Editing
• Assign roles — including dialogue, music, effects, and custom choices — during import to easily track and organize your project
• Expand and edit multichannel audio files directly in the timeline
• Let Final Cut Pro repair audio problems such as hum, excessive background noise, and more
• Sync DSLR video with separate audio in a single step with instant audio waveform matching

Intuitive Color Grading
• Import, edit, and deliver video in standard color spaces, or in wide Rec. 2020 color space
• Improve the look of any clip with one-click Balance Color
• Manipulate color, saturation, and exposure with the Color Board
• Fine tune a specific color or area of the screen using keying and masks

One-Step, Optimized Output
• Incredibly fast export for playback on Apple devices and upload to websites such as Vimeo, YouTube, and Facebook
• Use themed menus to author and burn a DVD or Blu-ray disc
• Export audio stems and multiple versions of a finished video using roles metadata
• Import and export XML for third-party workflows like color grading and sound mixing

System Requirements: OS X v10.11.4 or later, 4GB of RAM (8GB recommended for 4K editing and 3D titles), OpenCL-capable graphics card or Intel HD Graphics 3000 or later, 256MB of VRAM (1GB recommended for 4K and 3D titles), 4.15GB of disk space.

Some features require internet access; additional fees may apply. Blu-ray recorder required for burning Blu-ray discs.

Release Notes

12/06/2017 | Version : 10.3.4 | Size : 2.7 GB
• Resolves a stability issue when using keyboard shortcuts to trim in Secondary Storylines
• Fixes an issue in which certain editing operations could create an extra audio fade in
• Fixes an issue in which the Share dialog could incorrectly display a codec warning

Introduced in Version 10.3.3
• Ability to expand the width of the Inspector to view and adjust effect parameters
• Fixes issues with updating older libraries
• Faster redraw of audio waveforms when using clips that are being imported while recorded to disk
• Diamond icon in the Timeline Index to show when the user has modified display of roles in the timeline
• More color options in the Role Editor
• Reveal in Browser correctly displays the location of the original clip in the browser
• Support for Canon Log 3 and Sony S-Log3/S-Gamut3 log processing
• Resolves an issue in which the viewer could occasionally disappear when exiting full screen
• Resolves issues in which Share to DVD could become unresponsive
• Improves font quality of DVD menu and chapter titles
• Improves image quality when creating a DVD
• Enhanced DVD User dialog messages with embedded links to documentation

Introduced in Version 10.3
New Interface
• Redesigned dark interface puts the focus on your video
• Configure window layouts into custom workspaces for tasks like organizing and color grading
• Fill a second display with the timeline or hide the timeline completely
• Expand the Inspector to full-screen height

Magnetic Timeline 2
• Color coding of clips based on roles — such as dialogue, music, and effects — lets you understand your project at a glance
• Enhanced Timeline Index lets you drag and drop audio roles to rearrange the layout of your timeline
• Focus button in the Timeline Index lets you highlight specific audio roles and collapse all others
• Show Audio Lanes button in the Timeline Index displays a structured timeline layout with dedicated spaces for each audio role
• iXML support enables automatic creation and assignment of roles based on metadata from an audio field recorder
• Create and manage a unique set of roles for each Final Cut Pro library

Wide Color
• Images are now viewable in wide color on supported Mac computers and external displays
• Import, edit, and deliver video in standard Rec. 601 and Rec. 709 color spaces, or in wide Rec. 2020 color space
• Log footage from ARRI, Blackmagic Design, Canon, Panasonic, and Sony cameras, as well as RED RAW footage, can be manipulated in real time while preserving wider color
• Range check overlay in the viewer highlights areas out of the standard RGB range

Support for the Touch Bar on MacBook Pro
• Tap to execute common functions like volume control, fade in and out, and media import
• Easily access advanced editing commands, including Override Clip Connections, Trim to Start, and Trim to End
• View your entire project at a glance and navigate with touch in the timeline overview

More Video Formats
• MXF-wrapped Apple ProRes provides a flexible new format for broadcast delivery
• Support for Canon Log2/Cinema Gamut and Panasonic V-Log
• Support for Sony XAVC-L at 4K for the Sony PXW-FS7 and PXW-X70 cameras
• Playback support for Panasonic AVC-Intra LT
• Export AVC-Intra files

Additional Features
• Flow transition seamlessly merges jump cuts to remove pauses or mistakes in on-camera interviews
• Remove Effects and Remove Attributes commands let you delete specific effects from clips
• SMB 3 network support enables library access on network-attached storage devices
• Timecode effect displays clip name and source clip timecode in the Viewer and in exported files
• Consolidate custom Motion projects into individual Final Cut Pro libraries
• Option for continuous playback of clips in the Browser
• Ability to roll trim on adjacent anchored clips
• Use a Mini DisplayPort or HDMI cable for direct AV output to an external display at standard video resolutions.

19/01/2017 | Version : 10.3.2 | Size : 2.8 GB
• Ability to add custom folders of audio files to the Sound Effects browser
• Using ripple delete on audio-only clips no longer disables the selected range
• Audio meters retain custom width after relaunch
• Improves responsiveness when editing very long projects
• Improves performance when exporting H.264 files and changing frame rate
• Exporting ProRes 4444 files with transparency using Compressor creates a correct alpha channel
• Fixes an issue in which adjusting the line spacing of multi-line titles only applied to the first line
• Fixes an issue in which secondary storylines with mixed roles could overlap in the timeline
• Fixes an issue that could prevent burning Final Cut Pro projects to DVD via Apple USB SuperDrive

Introduced in Version 10.3
New Interface
• Redesigned dark interface puts the focus on your video
• Configure window layouts into custom workspaces for tasks like organizing and color grading
• Fill a second display with the timeline or hide the timeline completely
• Expand the Inspector to full-screen height

Magnetic Timeline 2
• Color coding of clips based on roles — such as dialogue, music, and effects — lets you understand your project at a glance
• Create, assign, and customize the colors of roles to identify different types of audio and video clips
• Enhanced Timeline Index lets you drag and drop audio roles to rearrange the layout of your timeline
• Focus button in the Timeline Index lets you highlight specific audio roles and collapse all others
• Show Audio Lanes button in the Timeline Index displays a structured timeline layout with dedicated spaces for each audio role
• Add audio effects and keyframe audio volume changes to an entire role within a Compound Clip
• iXML support enables automatic creation and assignment of roles based on metadata from an audio field recorder
• Create and manage a unique set of roles for each Final Cut Pro library

Wide Color
• Images are now viewable in wide color on supported Mac computers and external displays
• Import, edit, and deliver video in standard Rec. 601 and Rec. 709 color spaces, or in wide Rec. 2020 color space
• Configure color spaces for both libraries and projects
• Log footage from ARRI, Blackmagic Design, Canon, Panasonic, and Sony cameras, as well as RED RAW footage, can be manipulated in real time while preserving wider color
• Range check overlay in the viewer highlights areas out of the standard RGB range

Support for the Touch Bar on MacBook Pro
• Tap to execute common functions like volume control, fade in and out, and media import
• Easily access advanced editing commands, including Override Clip Connections, Trim to Start, and Trim to End
• View your entire project at a glance and navigate with touch in the timeline overview

More Video Formats
• MXF-wrapped Apple ProRes provides a flexible new format for broadcast delivery
• MXF master file export uses audio roles to configure industry-standard channel layouts
• Support for Canon Log2/Cinema Gamut and Panasonic V-Log
• Support for Sony XAVC-L at 4K for the Sony PXW-FS7 and PXW-X70 cameras
• Playback support for Panasonic AVC-Intra LT
• Export AVC-Intra files

Additional Features
• Flow transition seamlessly merges jump cuts to remove pauses or mistakes in on-camera interviews
• Remove Effects and Remove Attributes commands let you delete specific effects from clips
• SMB 3 network support enables library access on network-attached storage devices
• Timecode effect displays clip name and source clip timecode in the Viewer and in exported files
• Consolidate custom Motion projects into individual Final Cut Pro libraries
• Option for continuous playback of clips in the Browser
• Ability to roll trim on adjacent anchored clips
• Larger Media and Content browsers provide more space for viewing photo libraries, sound effects, music, titles, and generators
• Use a Mini DisplayPort or HDMI cable for direct AV output to an external display at standard video resolutions.

06/12/2016 | Version : 10.3.1 | Size : 2.8 GB
• Fixes an issue with cropped images in the Viewer when the Language & Region System Preference is set to Spanish
• Fixes issues with updating libraries
• Fixes an issue when using Paste Attributes to copy color correction between clips 

Introduced in Version 10.3
New Interface
• Redesigned dark interface puts the focus on your video
• Configure window layouts into custom workspaces for tasks like organizing and color grading
• Fill a second display with the timeline or hide the timeline completely
• Expand the Inspector to full-screen height

Magnetic Timeline 2
• Color coding of clips based on roles — such as dialogue, music, and effects — lets you understand your project at a glance
• Create, assign, and customize the colors of roles to identify different types of audio and video clips
• Enhanced Timeline Index lets you drag and drop audio roles to rearrange the layout of your timeline
• Focus button in the Timeline Index lets you highlight specific audio roles and collapse all others
• Show Audio Lanes button in the Timeline Index displays a structured timeline layout with dedicated spaces for each audio role
• Add audio effects and keyframe audio volume changes to an entire role within a Compound Clip
• iXML support enables automatic creation and assignment of roles based on metadata from an audio field recorder
• Create and manage a unique set of roles for each Final Cut Pro library

Wide Color
• Images are now viewable in wide color on supported Mac computers and external displays
• Import, edit, and deliver video in standard Rec. 601 and Rec. 709 color spaces, or in wide Rec. 2020 color space
• Configure color spaces for both libraries and projects
• Log footage from ARRI, Blackmagic Design, Canon, Panasonic, and Sony cameras, as well as RED RAW footage, can be manipulated in real time while preserving wider color
• Range check overlay in the viewer highlights areas out of the standard RGB range
• Video scopes display wide color in real time

Support for the Touch Bar on MacBook Pro
• Tap to execute common functions like volume control, fade in and out, and media import
• Easily access advanced editing commands, including Override Clip Connections, Trim to Start, and Trim to End
• View your entire project at a glance and navigate with touch in the timeline overview

More Video Formats
• MXF-wrapped Apple ProRes provides a flexible new format for broadcast delivery
• MXF master file export uses audio roles to configure industry-standard channel layouts
• Support for Canon Log2/Cinema Gamut and Panasonic V-Log
• Support for Sony XAVC-L at 4K for the Sony PXW-FS7 and PXW-X70 cameras
• Playback support for Panasonic AVC-Intra LT
• Export AVC-Intra files

Additional Features
• Flow transition seamlessly merges jump cuts to remove pauses or mistakes in on-camera interviews
• Remove Effects and Remove Attributes commands let you delete specific effects from clips
• SMB 3 network support enables library access on network-attached storage devices
• Timecode effect displays clip name and source clip timecode in the Viewer and in exported files
•Copy and paste timecode to speed up numerical entry from text documents
• Consolidate custom Motion projects into individual Final Cut Pro libraries
• Option for continuous playback of clips in the Browser
• Search custom metadata in the Browser and Timeline
• Search Timeline Index for Auditions, Compound Clips, Multicam Clips, and Synchronized Clips
• Ability to roll trim on adjacent anchored clips
• Larger Media and Content browsers provide more space for viewing photo libraries, sound effects, music, titles, and generators
• Skim and select ranges of audio files in the Music and Sound Effects browser
• Use a Thunderbolt cable for direct A/V output to an external display, without the need for a separate I/O device
• Enhanced XML support lets you import projects and clips into existing events
• Ability to drag and drop clips, projects, and events as XML with supported applications

Rankings

Overall :
#5 : Top Grossing Mac Applications
#137 : Top Paid Mac Applications

Categories :
#1 : Top Grossing Mac Applications [Video]
#12 : Top Paid Mac Applications [Video]

Screenshots Mac OSX :

Screenshots Mac OSX Screenshots Mac OSX Screenshots Mac OSX Screenshots Mac OSX Screenshots Mac OSX

Category

Photography , Video


Supported Devices : Mac OS

Comments and Ratings for Final Cut Pro

The Future Of Post Production (Updated to 10.3) (10.3.4)
04/06/2017 09:19:28 5/5 By SamW2011
**Updated for 10.3** I’ve been a long advocate of Final Cut Pro X for a considerable amount of time now, cutting various forms of commercial, corporate, feature and short films on it. It’s a considerable all round NLE. I started with Final Cut Pro 7 (or Classic), and moved to Premiere Pro shortly after. Had it not been for a client using FCP X I would not be using it today. This application reignited the passion I had for video editing. The way the application works and how fast you can work in it is something you won’t get anywhere else. The magnetic timeline is difficult to get your head around at first, but there is this “Ah ha!” moment that everyone goes through and once it “clicks”, you’ll never want to go back to anything else. It’s 3rd party ecosystem is rich and powerful, with plugin developers like CoreMelt, MotionVFX, Alex4D, Ripple Training and so so many more making awesome tools for FCP X that make the long, boring tasks super easy and quick. The metadata possibilities of FCP X are seemingly endless (think of it like a database with a timeline), the use of Keywords, Favourites and Rejects, Roles, are just some of the many ways to organise your media. The 10.3 update is the love letter to the professionals, the way the team have updated the app brings professional, and forward thinking tools to the hands of the editor, tools we’ve never seen before. Audio organisation using Roles, being able to swap and organise your timeline easily and quickly based upon the metadata you enter, it’s so fast you just need to try it. Now, as one customer to another, you need to learn how to use it first. If you’re reading this and you’re considering purchasing FCP X, go for the 30-day trial first on Apple’s website. It’s free and it gives you a chance to understand the software and learn how to use it. Also, use it on a job, on something that you’re going to be working on for a while to completely understand the new paradigm. Get training, watch videos, spend time to understand and grasp the new concepts. It will only improve how you edit in FCPX. On a final note, I can’t recommend FCP X enough. It’s the best NLE I have ever used and it will be for a very very long time, there is no competition.

Just gets better……... (10.3.2)
15/03/2017 09:46:20 5/5 By LukeHighLife
Let me preface this review by advising you to ignore any extremely negative reviews, FCPX will only crash and/or cause serious problems if: 1. Your runnng a cracked copy 2. You have not learnt how to use FCPX! I’m a fulltime London based shooter/editor since FCP2 was released. Like many, I was initially wary of the strange new interface and payed too much attention to the critical response FCPX got on release. Testing it out only reinforced my negative opinion - it didn’t work like FCP7 and i hated it! So I went running back to FCP7 and joined in the bitching about FCPX! Months later, after testing PP, which I disliked, and finally accepting that FCP7 was going to die, I checked out some very good, free tutorials from Izzy Hyman and tried FCPX again on a small project, and you know what? It’s actually a great app! After losing so much time to encoding all my footage to ProRes for FCP7, here was an app that could cut through H.264 native files like a hot knife through butter, that could sync up multi cam footage with a single click, that could render in the background without pushing out yet more video files to fill my drives…..I could go on and on. I run a MacPro late 2013 6 Core 32GB cylinder and FCPX is smoking on there! The speed with which i can turn around jobs now is insane. True, it does take some getting used to but once your there you will have no regrets, even the Colour Board, of which I was dubious at first, is a very powerful grading tool, and I now prefer it to the old style wheels. The onboard stabilsation software is pretty good and with a few essential plug ins you’ll be flying. I highly recommend Magic Bullet Looks, Motion VFX Morphcut, Coremelt Everything bundle and FilmConvertPro. If you only have one editing app on your Apple device it should be this one, once your up and running its unbeatable Note - I am not an Apple fanboi by any means, overpriced devices and too much focus on the phone/tablet side does leave myself and other working creatives feeling neglected but they redeemed themselves with FCPX.

Wish I had changed earlier. Great product. (10.3.2)
01/02/2017 09:48:38 5/5 By RickTorn
I have been working in video editing since the old U-matic days, progressing from multi-machine linear suites through various non-linear systems. For many years the Adobe suite has been my go to applications using AE, premiere, audition and photoshop with a multitude of plug-ins to acheive the results my clients required. In 2016 I moved into semi-retirement and closed my company but I am still kept busy with returning customers. I decided I no longer wanted to justify Adobe’s Creative Cloud subscription and purchased Final Cut Pro X along with Motion. I wish I had made this change earlier, FCP is a great product at a great price. I have paid far more for plug-ins for AE and Premiere to perform operations that are already built into FCP! FCP contains backgrounds, title templates and a whole host of transitions that I have paid extra for in the past. Motion adds the ability for a ridiculously low price to do about 90 % of operations I used AE for. Better still with motion you can an existing template or title and adapt it and add it back into FCP so that your library grows as you create. This makes Motion much faster than AE when performing everday titles that corporate production requires. Motions built in particle generator templates are great for me also when I want things like flames quickly composited into buildings etc. I am not even going to mention the wide range of sound effects that ship with FCPX as standard. These products paid for themselves with the first project. I am not an Adobe critic, their software has earned me a good living over the years and I especially loved working in AE. My work has been so intense that I have never until now had the time to step back and really play with FCP, instaed I have reached for the software that I was intimatley familiar with and I kew I could do the job with. Now in hindsight, I wish I had taken the time to really put FCP and Motion through their paces earlier. It would have speeded up my workflow and saved me a significant amount of money as I would probably not have needed Boris FX, Wondertouch, twixtor and so on.

Feature Rich and Fast! (10.3.2)
22/01/2017 09:26:47 5/5 By 3.412592654...
I want to preface that I’m not, by any means, a professional editor. For people who depend on Final Cut for their jobs, this review may not be for you. I use FCPX to edit for my youtube channel, and for what I use it for it is clear leaps and bounds ahead of iMovie. Every visual or audio effect is great, export times are blistering fast and I’m running this on a 13 inch MBP 2015 model. I’ve never found performance to be an issue with the i5 and 8GB RAM. With very large projects scrubbing through the timeline can become choppy, but it has never prevented me from finishing. Overall, I find this to be a nice, flexible, feature rich and fast editor.

Lost years of work. (10.3.1)
05/01/2017 15:52:00 1/5 By HatePlusNet
Can not update library to 10.3.1 Crashes every time.

Burn to disc has gone ! (10.3.1)
27/12/2016 13:52:00 2/5 By Grundy 2
The latest version of Final Cut pro X coupled to Sierra OS has proved a near disaster for me. It has much going for it but since i use a 6 year old Mac Book Pro lap top i have endured many problems with the various installed applications. Mail for example now continuously quits during configuration, something i have never experienced before. However by far the worst change is the inability to burn directly to disc in share ,which Apple have deemed is no longer useful. I beg to differ, storing videos on disc as apposed to other methods allows sensitive content to be passed to other parties securely and safely. I do not accept the, out of date, argument, i notice that music vynal discs are having a revival! It is the removal of burn to disc facility that is the main reason for my poor rating. I started with Snow Leopard and progressed over the years to Sierra OS and at each upgraded i had problems that had to be resolved. In fact this is the final straw, it has caused me to reconsider using Apple systems in the future. The fact that Apple did not warn customers about the burn to disc change ,indicates to me at least, that they are not concerned enough about customer satisfaction ,had i known what this latest upgrade entailed i would not have installed it.

The Future Of Post Production (Updated to 10.3) (10.3.1)
22/12/2016 18:44:00 5/5 By SamW2011
**Updated for 10.3** I’ve been a long advocate of Final Cut Pro X for a considerable amount of time now, cutting various forms of commercial, corporate, feature and short films on it. It’s a considerable all round NLE. I started with Final Cut Pro 7 (or Classic), and moved to Premiere Pro shortly after. Had it not been for a client using FCP X I would not be using it today. This application reignited the passion I had for video editing. The way the application works and how fast you can work in it is something you won’t get anywhere else. The magnetic timeline is difficult to get your head around at first, but there is this “Ah ha!” moment that everyone goes through and once it “clicks”, you’ll never want to go back to anything else. It’s 3rd party ecosystem is rich and powerful, with plugin developers like CoreMelt, MotionVFX, Alex4D, Ripple Training and so so many more making awesome tools for FCP X that make the long, boring tasks super easy and quick. The metadata possibilities of FCP X are seemingly endless (think of it like a database with a timeline), the use of Keywords, Favourites and Rejects, Roles, are just some of the many ways to organise your media. The 10.3 update is the love letter to the professionals, the ay the team have updated the app brings professional, and forward thinking tools to the hands of the editor, tools we’ve never seen before. Audio organisation using Roles, being able to swap and organise your timeline easily and quickly based upon the metadata you enter, it’s so fast you just need to try it. Now, as one customer to another, you need to learn how to use it first. If you’re reading this and you’re considering purchasing FCP X, go for the 30-day trial first on Apple’s website. It’s free and it gives you a chance to understand the software and learn how to use it. Also, use it on a job, on something that you’re going to be working on for a while to completely understand the new paradigm. Get training, watch videos, spend time to understand and grasp the new concepts. It will only improve how you edit in FCPX. On a final note, I can’t recommend FCP X enough. It’s the best NLE I have ever used and it will be for a very very long time, there is no competition.

bought this a couple of years ago and still no upgrade cost!!! (10.3.1)
14/12/2016 12:40:00 5/5 By Dio99
I wish i bought this app when it was £20 cheaper but there you go. I have tried to use iMovie for years and have not got on with it at all and only done a couple of projects. But Final cut is just great for me, I am a novice with video editing but needed something better than iMovie (it just never worked the way you wanted it to). Final cut has been on my computer for a week now and I have imported all my tape videos and head cam videos. I have made 3 projects so far and it just works. You don't even need to read the manual to use this, it is all layed out with care. I love the blade tool (i'm sure theres a way not to have to use the blade) but it is so easy and I export straight to iTunes then onto my iPad. I can understand all the pros rateing it 1 star, but they should have read the description on the Apple web page, NO one made them upgrade, also half of them probably haven't even used it to it's full so why slate a product that works right out of the box. As for the price what do they expect for £200. Well done Apple for bringing out a great app.

Very good, but version 10.3 has some unnecessary changes (10.3.1)
12/12/2016 12:55:00 3/5 By JABM31ST3R
I’d like to make something clear first: I love Final Cut Pro. I started editing with this back in 2014 and I’m very adept with the software at this point, so much so that I find myself lending a lot of advice to my friends who also like to edit videos as a hobby. It’s a great video editing software and I still highly recommend it for Mac users who want to make videos that are a step up from iMovie. That being said, the latest version has proven to be very tricky to use. Granted that it’ll probably take some getting used to before I can breeze through again, that’s par for the course with updates in general. But when it comes to editing frame by frame (which I tend to do quite often), It’s proven to be very difficult to use. Often I used to shorten clips either by dragging the edge/corner and dragging across or cutting the clip via the blade tool, but that process is now needlessly complicated due to how difficult it is to get both of those functions to work. On top of that, the decision to hide features away may be understandable since it provides a cleaner and less cluttered interface, but it makes the process of quickly zooming in on clips less accessible, something that goes hand-in hand with the points previously mentioned. I hope that these can be improved upon in future patches/updates but for now these changes seem unnecessary, which is a shame because as a whole, it’s still a great editing software.

Back to FCPX 10.2.3 (10.3)
24/11/2016 12:04:00 3/5 By Buster.K13
I have used FCP for a few years but when I updated to version 10.3 I completely lost faith and thought what have Apple done to the front face, made it more difficult to find any controls. In my opinion it’s layout is hard on your eyes. I have had to bite the bullet and revert back to version 10.2.3 Why did they not just add new items to the existing front face !!! When something works and looks good don’t change for the sake of change.


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